Authority in the Crucible

Authority in the Crucible

John Proctor, Judge Danforth, and Reverend Parris are the three primary authorities in the Crucible. Everyone has a distinct take on the law and their reasons for breaking it. Throughout the play, several plots and deceptions exist, most notably among the village’s leaders showing authority in the Crucible.

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In Act 3, Reverend Parris pretends he didn’t observe the girls dancing in the woods to preserve his family’s reputation from Judge Danforth, who doesn’t appear to have any prior issues with the law. One may presume that John Proctor, despite his good intentions, has difficulty obeying the rules. Since John cannot see “the light of God” in Reverend Parris, the Proctors avoid church on Sundays.

Religion was an important element of village life in this era, and it was considered a sin to skip church without a solid excuse. Aside from John’s sentiments, the Proctors haven’t attended church. Mr. and Mrs. Proctor invite Reverend Hale to speak with them about their religious beliefs and the possibility of witchcraft since Elizabeth has been suspected of perpetrating the murder. Because of John’s illiteracy, there is some concern that God may not be present at home, which brings us full circle to Act 2. John Proctor makes a false admission about his involvement in witchcraft in Act 3 after Elizabeth is sent away, proving authority in the Crucible.

There is an authority in the Crucible since it is filled with the ambition to maintain and achieve power, as the witch trials have a profound impact on the lives of everyone involved. As the frenzy worsens, so does Abigail’s influence. When she was merely an orphaned adolescent, she became the primary witness to a Satanic scheme in the middle of the trials. Because she is perceived as both a victim and a rescuer, she can wreck people’s lives with a single charge.

Traditionally, law and religion are the foundations of authority. In The Crucible, these two organizations merge to promote accusers and suppress reasonable explanations of what happened to bring about authority in the Crucible. As a result of their involvement, the girls are given the go-ahead by the authority to continue their pranks. As long as someone disagrees with how the trials are run, it is seen as a personal insult and a threat to their authority by the individuals in command. When Danforth, Hathorne, and Parris believe they are under attack, their beliefs grow even more rigid.

Authority in the Crucible in Act 1

Authority in the Crucible is evident where Salem’s residents are heavily influenced by their religious beliefs, as shown in the introduction. As the town’s spiritual leader, Reverend Parris has considerable influence, yet he harbors deep doubts about his abilities. A group of individuals in the town is trying to remove him from this position, and he will say or do anything to maintain power. Parris’ concern over losing his position translates into excitement for the witch hunt, causing complications down the road.

On the other hand, Abigail has an uphill struggle ahead of her if she hopes to have greater control over her circumstances. Authority in the Crucible is observed since she begins life with very little clout and power despite her outspokenness and dominance. Getting married to John Proctor might put you in a position of power and influence. By exploiting the concerns of others, she gains control of the situation when John won’t give up Elizabeth for herself.

Tituba is the first person Abigail blames since she is the person below her in the power hierarchy and hence an easy scapegoat. It might have been avoided if Tituba had been allowed to tell the truth to prevent the impending catastrophe. When Tituba refuses to accept the authority of those in conventional positions of power, no one listens to her. This cycle is repeated throughout the play.” Tituba is forced to accept her position as a pawn and a stepping stone for Abigail’s ascension to power.

Authority in the Crucible in Act 2

The continuing trials in Salem have resulted in significant shifts in the city’s political landscape by the end of Act 2. Because of the apparent value she brings to the courtroom, Mary Warren’s feeling of self-importance has grown. “The daughter of a royal,” says Elizabeth, describing Mary’s new manner. Because of their newfound authority, the girls are tempted to make fresh allegations to maintain their worth in the court’s view.

Abigail Adams has climbed fast from relative obscurity to prominence among Salem’s most prominent citizens. Even though Abigail has a low social rank and is considered innocent under normal conditions, her present predicament gives her even more influence. Because no one expects a young orphan girl to be so deceptive (or deluded), she is always taken at her word. One of the play’s most famous lines is “the tiny mad children are jangling the keys of the kingdom,” implying that the girls are trying out how much mayhem they can inflict with their newly gained authority in the Crucible.

Authority in the Crucible in Act 3

Abigail’s courtroom clout is on show in Act 3. When Danforth even considers Mary and John’s claims of fraud against her, she threatens him publicly using authority in the Crucible. The court’s most powerful official, Danforth, is readily swayed by Abigail’s portrayal of herself as a victim of witchcraft. Any justification for trusting her testimony over that of John or Mary is welcome by him.

John has finally concluded that the court’s panic is stronger than Mary’s true evidence proving authority in the Crucible. Rather than evidence of Elizabeth, Martha, and Rebecca’s innocence, the petition he delivers to Danforth serves as a weapon against the signatories. A last attempt to disprove Abigail’s story is made when John admits to their liaison. Even when the girls’ allegations are patently bogus, logic cannot confront fear and superstition. After Act 3, John Proctor gives up his agency in despair at the court’s resolve to pursue the charges of witchcraft and dismiss any evidence to the contrary.

Authority in the Crucible in Act 4

The established power structures that had been in place earlier in the play are beginning to fall apart by Act 4 contributing to authority in the Crucible. In light of the verdicts in the cases, Reverend Parris has lost his position of power and is no longer able to preach. Because of the impending deaths of John and Rebecca, he is particularly weak and defenseless in the wake of Abigail’s theft of his life’s wealth. The community has even threatened to kill him. In the first act, when he joined in with the frenzy, he lost all of his authority (according to Miller, he was voted out of office shortly after the play concluded).

The inmates have lost hope in human authorities and are looking to God for judgment. They have no other option except to maintain their innocence and their honesty. Rebecca Nurse has a lot of influence since she refuses to acknowledge her guilt. The judges show authority in the Crucible since they can’t make her tell the truth, and her sacrifice hurts their reputation with the town citizens.

Power and Authority in the Crucible Quotes

And mark this. Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night and I will bring a pointy reckoning that will shudder you. And you know I can do it; I saw Indians smash my dear parents’ heads on the pillow next to mine, and I have seen some reddish work done at night, and I can make you wish you had never seen the sun go down!”

At the beginning of the play, Abigail’s authority in the Crucible is quite little, but it gradually increases. As far as she can go, she may use threats of physical violence to coerce other females into doing her bidding. Her uncle Parris, for example, would never hear her say what she says in this remark.

“You are God’s instrument put in our hands to discover the Devil’s agents among us. You are selected, Tituba, you are chosen to help us cleanse our village.”

Because of the witch trials, Tituba, a slave, and a woman, rises in social stature; ordinarily, she’s the one being instructed what to do and how to behave. But with her newfound authority, she’s able to decide the fate of others.

“I only hope you’ll not be so sarcastic no more. Four judges and the King’s deputy sat to dinner with us but an hour ago. I would have you speak civilly to me from this out.” (Mary Warren.”

In the second act, the trials’ reverberations begin to go beyond the walls of the courthouse. In Mary’s new position of authority, Mary Warren feels entitled to, requests, and (to some degree) gets respect. Mary, however, is not the only one to profit from the increased respect given to the affected females, as the following comment shows.

“ABIGAIL, in an open threat: Let you beware, Mr. Danforth. Think you to be so mighty that the power of Hell may not turn your wits? Beware of it!”

At this time in the play, Abigail has risen to a position of authority in the Crucible, where she may openly threaten the Deputy Governor of the whole province.